Trauma and the uncanny in Edgar Allan Poe’s “Ligeia” and “The Fall of the House of Usher”. Temperamental differences: The shifting political implications of cousin marriage in nineteenth-century America. The psycho-sexual reading of “The Fall of the House of Usher. The Literary and Theological Review, 4(14), 182–212. A dissertation on the marriage of a man with his sister in law. Incest, cousin marriage, and the origin of the human sciences in nineteenth-century England. The disgust that fascinates: Sibling incest as a bad romance”. Buried in the bedroom: Bearing witness to incest in Poe’s “The Tell-Tale Heart.” Mosaic: A Journal for the Interdisciplinary Study of Literature Winnipeg, 41(1), 43–59. Resisting reproduction in Edgar Allan Poe’s family fictions. Champaign, IL: University of Illinois Press. The delights of terror: An aesthetics of the tale of terror. Gender protest and same-sex desire in antebellum American literature: Margaret Fuller, Edgar Allan Poe, Nathaniel Hawthorne, and Herman Melville. Nineteenth-Century Literature, 59(1), 27–52. Explaining mental illness: Theology and pathology in Nathaniel Hawthorne’s short fiction. Gothic incest: Gender, sexuality and transgression. Amorous bondage: Poe, ladies, and slaves. The Bulletin of the Rocky Mountain Modern Language Association, 24(4), 170–176.ĭayan, J. University Park, PA: University of Pennsylvania Press.ĭavis, J. Domestic intimacies: Incest and the liberal subject in nineteenth-century America. University Park, PA: The Pennsylvania State University Press.Ĭonnolly, B. South Atlantic Bulletin, 45(1), 40–46.Ĭantalupo, B. The life and works of Edgar Allan Poe: A psycho-analytic interpretation. The self-consuming narrator in Poe’s “Ligeia” and “Usher”. Gainsville, FL: University Press of Florida.īieganowski, R. Coleridgean self-development: Entrapment and incest in “The Fall of the House of Usher”. Despite such exclusion, the undertones of sibling incest in “Ligeia” serve to enhance Poe’s strategic development of horror in the reader by merging ambiguity with a reflection of late-eighteenth-century and nineteenth-century shifting sentiments on incest stemming from previously sanctioned familial attachments that precluded idealized romantic love.Īllison, J. Although other works by Poe, such as “The Fall of the House of Usher” (1839), have previously been evaluated for references to incest and its resultant trauma, “Ligeia” has not been considered in this manner. Research into legal documents, newspapers and magazines, literature, and other written works from around Poe’s lifetime reveal social, scientific, and cultural tensions regarding “appropriate” levels of incest and the usage of opposite-sex siblings as templates for future erotic love. This article examines American author Edgar Allan Poe’s short story “Ligeia” (first published in 1838) through the lenses of sibling and other forms of incest in the first half of the nineteenth century along with more recent knowledge regarding incest and its ramifications.
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